Stone Roberts: An Eye for Light and Detail

Stone Roberts is a New York artist painting urban scenes with striking clarity. His latest work is a grand-scale painting of Grand Central Station.
Stone Roberts: An Eye for Light and Detail
“Grand Central Terminal: An Early December Noon in the Main Concourse,” 2009–2012, oil on linen, 74 by 76 inches, private collection. Image courtesy of Hirschl & Adler Modern, New York, N.Y.
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<a href="https://www.theepochtimes.com/assets/uploads/2015/07/GrandCentral.jpg"><img class="size-large wp-image-315948" title="GrandCentral" src="https://www.theepochtimes.com/assets/uploads/2015/07/GrandCentral-514x450.jpg" alt="" width="590" height="516"/></a>

NEW YORK—As a fine arts painter, Stone Roberts had all the right conditions growing up, including severe myopia as a child. This may seem ironic, but it makes sense given that a hallmark of Robert’s paintings is that everything seems to be in sharp focus, whether the object is in the foreground or background.

“I remember as a child, I had to get up close to everything to see it,” Roberts said. “I remember commenting to my brother after I got glasses, ‘Are you supposed to see everything so clearly?’”

Now, whether he is painting still lifes, elaborate interiors, or figures, this sense of visual clarity is what makes his style simultaneously subtle yet immediate.

“Some photographers, when they see my paintings, … are fascinated and find it beguiling,” Roberts said. “I don’t paint the way a camera would. To me, painting is the act of revealing things through light. My vision is to evoke details with paint without making it feel pedantic.”

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Christine Lin
Christine Lin
Author
Christine Lin is an arts reporter for the Epoch Times. She can be found lurking in museum galleries and poking around in artists' studios when not at her desk writing.
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