Shoot, Print, Paint: The Photograph as Canvas

Hand-colored photography offers plenty creative license for a photographer with a painterly eye.
Shoot, Print, Paint: The Photograph as Canvas
"Umbrellas" by Dianne Poinski. Courtesy of Dianne Poinski
Christine Lin
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This is part 8 of a 9-part series. To see the full series, see At The Confluence

The increasing prevalence of photography has fundamentally changed the way representational art is created and perceived in the modern day. At the Confluence examines how some of today’s artists have responded to the shift.

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Hand-colored photographs are something of a lesser-known hybrid of the realist art world. First, a photograph is taken, either digitally or on film, and then it is printed from a computer or developed in a darkroom. Photoshop or some photochemical magic can be applied at this point to create effects on the image. Finally, the resultant photograph is worked over in specially developed oil paints, pan pastels, or inks.

A before-and-after comparison of a hand-colored photograph by Dianne Poinski. (Courtesy of Dianne Poinski)
A before-and-after comparison of a hand-colored photograph by Dianne Poinski. Courtesy of Dianne Poinski
Christine Lin
Christine Lin
Author
Christine Lin is an arts reporter for the Epoch Times. She can be found lurking in museum galleries and poking around in artists' studios when not at her desk writing.
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