‘Rashomon’: 4 Differing Points of View of a Crime Scene

Akira Kurosawa’s groundbreaking mystery crime thriller only gets better with repeated viewings.
‘Rashomon’: 4 Differing Points of View of a Crime Scene
(L–R) A commoner (Kichijiro Ueda), a woodcutter (Takashi Shimura), and a priest (Minoru Chiaki) take shelter during a rainstorm and listen to the woodcutter’s tale, in “Rashomon.” Criterion Collection
Michael Clark
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NR | 1h 28m | Drama, Crime, Mystery | 1951

Regularly appearing on many critics’ and filmmakers’ all-time Top 10 lists, director Akira Kurosawa’s “Rashomon” had such an indelible imprint on cinema that its title also doubles as an adjective, as in “the Rashomon Effect.”

Michael Clark
Michael Clark
Author
Originally from the nation's capital, Michael Clark has provided film content to over 30 print and online media outlets. He co-founded the Atlanta Film Critics Circle in 2017 and is a weekly contributor to the Shannon Burke Show on FloridaManRadio.com. Since 1995, Clark has written over 5,000 movie reviews and film-related articles. He favors dark comedy, thrillers, and documentaries.