‘Pretty Baby’ (1950): Wisdom From a Little Lie

A fun romantic comedy about a working woman, a young executive, and a curmudgeonly business tycoon whose heart is softened by a baby who doesn’t exist.
‘Pretty Baby’ (1950): Wisdom From a Little Lie
Patsy Douglas (Betsy Drake) and Cyrus Baxter (Edmund Gwenn), in "Pretty Baby" from 1950. (Warner Bros.)
Tiffany Brannan
9/25/2023
Updated:
12/30/2023
0:00

NR | 1 h 32 mins | Romance, Comedy | 1950

Sir Walter Scott’s poetic phrase, “Oh, what a tangled web we weave / When first we practice to deceive” has been an unspoken theme in countless stories. Many movies are based on a scenario that kicks off with a deception, falsehood, or misunderstanding. These stories are compelling because complicated situations can often arise from a lie.

“Pretty Baby” from 1950 presents a deception that really isn’t a lie; it’s more of an innocent little trick, which snowballs into an unexpected series of events. Starring Dennis Morgan and Betsy Drake, this is a fun romantic comedy about a working girl, a young executive, and a curmudgeonly business tycoon whose heart is softened by a baby who doesn’t exist.

A Seat on the Subway

Patsy Douglas (Drake) operates a mimeograph machine at a New York advertising agency. Despite her lack of experience, she substitutes as a secretary for the boss, Sam Morley (Morgan), but her admiration for him can’t make up for her incompetence. When the company scraps their baby food display in the lobby, she decides to take the doll in the display home, playfully naming it Cyrus after the company’s ogrish president, Cyrus Baxter (Edmund Gwenn). When she realizes that holding the swaddled doll gets her a seat on the subway, she decides to keep bringing “Baby Cyrus” along with her.
(L–R) Subway passenger (Dorothy Vaughn), Patsy Douglas (Betsy Drake), and Cyrus Baxter (Edmund Gwenn) on the subway, in “Pretty Baby” (1950). (Warner Bros.)
(L–R) Subway passenger (Dorothy Vaughn), Patsy Douglas (Betsy Drake), and Cyrus Baxter (Edmund Gwenn) on the subway, in “Pretty Baby” (1950). (Warner Bros.)

One day, Baxter himself has to take the subway and ends up sitting next to Patsy. He overhears that the name of her “baby” is Cyrus and learns that he is named after himself. He is deeply moved by her kind remarks about Cyrus Baxter, so he pretends to be Baxter’s watchman, not who he really is. Soon after, Patsy gets fired from her job, but her two employers, Morley and Barry Holmes (Zachary Scott), panic to hire her back. You see, they just have heard from Baxter himself that Patsy is a noble young mother who deserves appreciation for her loyalty.

The two young executives frantically rehire Patsy, promote her to copywriter, and give her a raise. Little does she know that their interest in her slogans is only motivated by a hope of getting on Baxter’s good side. Things aren’t so simple, though, since the two men soon find out that she has no baby. Patsy hates to deceive the kindly old Baxter, but she agrees to keep up the charade to help Morley.

Patsy is a character with hidden wisdom. At first, she seems like a silly young woman who is incapable of efficiently completing anything more complicated than the simplest office work. However, she proves that she has the intangible talent of inspiring others with patience, serenity, and creativity. Her slogans may not be as clever as she thinks, but her advice to Morley to follow his own instincts rather than second-guessing Baxter is very valuable. She also helps Baxter curb his horrible temper by reciting the first verses of the poem “Hiawatha,” instead of yelling at people.

(L–R) Sam Morley (Dennis Morgan), Patsy Douglas (Betsy Drake), and Barry Holmes (Zachary Scott), in “Pretty Baby” (1950). (Warner Bros.)
(L–R) Sam Morley (Dennis Morgan), Patsy Douglas (Betsy Drake), and Barry Holmes (Zachary Scott), in “Pretty Baby” (1950). (Warner Bros.)
The Baxter character drastically transforms in this story. He starts out as a horribly tempered tyrant, who berates hard-working employees for the smallest mistakes and browbeats strangers with little or no provocation. However, his chance meeting with Patsy in the subway changes his whole life. The idea that a young mother would name her child after him touches his hard heart. Moved by his admiration of Patsy, he becomes a person worthy of such an honor. His employees are flabbergasted to see him requesting flowers in his office, whistling to himself, and conversing pleasantly. Although based on a misunderstanding, the transformation is remarkable, nonetheless.

Caring About Others

Many reviewers on IMDb write this movie off as silly and nonsensical. It is intentionally a little silly since it’s a comedy, even though it has thought-provoking themes. This movie is about motherhood, chivalry, and what gives a person a reason to live. People today think of the 1950s as an extension of the Victorian Era in terms of gender roles in the business world, but “Pretty Baby” shows that working women had to fight to make their own way. However, motherhood still inspired chivalry, so men jump up to offer Patsy a subway seat when she is holding a baby.

Some think Cyrus Baxter’s transformation is unrealistically abrupt, but it makes sense if you think about it. The reason Baxter is such a grouch is that he doesn’t really have a reason to live. He has lots of money and power, but he doesn’t have any family or friends. Everyone fears him, but nobody cares about him. He is a lonely man who thinks everyone hates him, so he responds by acting as though he doesn’t like or need anybody. All he needs is one person to show him kindness and that inspires him to start caring about others.

Poster for "Pretty Baby" (1950). (Warner Bros.)
Poster for "Pretty Baby" (1950). (Warner Bros.)
This movie is available to rent or buy on Prime Video and YouTube, or on DVD from Amazon, eBay, and Barnes and Noble.
‘Pretty Baby’ Director: Bretaigne Windust Stars: Dennis Morgan, Betsy Drake, Edmund Gwenn Running Time: 1 hour, 32 minutes Not Rated Release Date: Sept. 16, 1950 Rating: 4 out of 5
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Tiffany Brannan is a 22-year-old opera singer, Hollywood historian, vintage fashion enthusiast, and conspiracy film critic, advocating purity, beauty, and tradition on Instagram as @pure_cinema_diva. Her classic film journey started in 2016 when she and her sister started the Pure Entertainment Preservation Society to reform the arts by reinstating the Motion Picture Production Code. She launched Cinballera Entertainment last summer to produce original performances which combine opera, ballet, and old films in historic SoCal venues.
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