Popcorn and Inspiration: ‘Only in Theaters’: A Family Affair

Michael Clark
7/31/2023
Updated:
1/5/2024
0:00

There was a time when the movie tagline “only in theaters” carried with it considerable artistic and marketing cachet. You could watch a film only in a stand-alone, brick-and-mortar theater; it was an event meant to be shared with others.

I put this in the past tense—“was”—because the theatrical experience, due to COVID-19 overreach, ceased to exist for close to three years and only now is returning to a full state of normalcy.

A Laemmle theater in the documentary "Only in Theaters." (Wishing Well Entertainment/Kino Lorber)
A Laemmle theater in the documentary "Only in Theaters." (Wishing Well Entertainment/Kino Lorber)
Movie theaters were among the first businesses shuttered in early 2020. And while the major chains did suffer, it was nothing compared to what was incurred by the independently owned exhibitors, particularly art house theaters.

From Coast to Coast

Present in all 50 states and the District of Columbia, art houses specialize mostly in low-visibility, high-brow, live-action, documentary, and foreign language titles.

Although it was not the original intent, director Raphael Sbarge’s brilliant documentary “Only in Theaters” dedicates roughly a third of the 93-minute running time to the fallout of COVID-19 on the Laemmle chain.

Mr. Bob Laemmle in "Only in Theaters." (Wishing Well Entertainment/Kino Lorber)
Mr. Bob Laemmle in "Only in Theaters." (Wishing Well Entertainment/Kino Lorber)
With seven locations in Los Angeles County and another in Washington state, the Laemmle (pronounced: lem-lee) chain is arguably the most well-regarded and historically significant collection of independent art house theaters in U.S. movie history.

In Business 85 Years

In operation since 1938, the Laemmle Company was co-founded by brothers Max and Kurt Laemmle who were cousins of Carl Laemmle, the co-founder of Universal Pictures. All three men were Jewish and hailed from Germany; however, Mr. Carl Laemmle immigrated to the United States in 1884 and was able to convince his cousins that the reign of Adolf Hitler would lead to no good, prompting them to leave their homeland in the mid-1930s.

Mr. Sbarge (who also provides narration) dedicates roughly one-third of the running time to the Laemmle family history, and it is indispensable not only to the success of this film but also in providing an invaluable history lesson of the U.S. movie industry from its inception. Any fan of the medium needs to see the film if only for this portion.

Principal shooting began in 2019, a time prior to the arrival of COVID-19. This was a time when Greg Laemmle, with regular input from his father, Bob (Mr. Max Laemmle’s son), was contemplating selling the family business, citing the proliferation of streaming services and their ever-increasing negative effect on the bottom line. This is easily the most engaging and emotionally impactful portion of the movie.

Mr. Greg Laemmle in "Only in Theaters." (Wishing Well Entertainment/Kino Lorber)
Mr. Greg Laemmle in "Only in Theaters." (Wishing Well Entertainment/Kino Lorber)

Family Legacy

A man fully aware of the rich family legacy, Mr. Greg Laemmle is clearly torn. It’s one thing deciding to sell the local family-owned hardware store to Starbucks or McDonalds; it’s quite another to transfer ownership of not only cherished Los Angeles landmarks but venues so steeped in local and national culture.

It was at these theaters that future classic, Oscar-winning films such as “Rocky,” “Network,” “Raging Bull,” and others saw their national debuts. These locations were also instrumental in introducing the then-unknown animation studio Pixar, which directly led to a distribution arrangement with Disney.

For decades, the Laemmle family has made their venues available to upstart and fledgling filmmakers to exhibit their productions (mostly live-action, animated, and documentary shorts) for the purpose of raising their profile and garnering year-end Oscar consideration. More often than not, the Laemmles turn over the box office profits from these screenings back to the filmmakers.

This isn’t a company solely concerned with the bottom line. It fosters creativity and offers those not backed by the deep pockets of the major studios the opportunity to get noticed.

From Bad to Worse

Wanting to sell and having to sell are also different animals. It’s evident that Mr. Bob Laemmle, and Mr. Greg Laemmle with his wife and triplet sons, didn’t want to sell, an option that all but dissipated in 2020. How salable are eight or nine theaters when they’re indefinitely closed?

While nowhere near as challenging or possibly life-altering as Mr. Greg Laemmle’s conundrum, Mr. Sbarge had to figure out a way to conduct interviews without making them look like a series of staid and static Zoom meetings.

Throughout the movie, Mr. Sbarge dots the narrative with testimonials from critics (Leonard Maltin, Kenneth Turan) and an array of esteemed filmmakers including Ava Duvernay, Nicole Holofcener, Allison Anders, James Ivory, and Cameron Crowe. While most of these were done via Zoom, Mr. Sbarge found a way to make the presentations wholly unique and visually pleasant.

For the duration, Mr. Greg Laemmle displays the patience of Job and displays a type of courage and love of family that is beyond uplifting and inspirational. We should all be so lucky.

Poster for the documentary "Only in Theaters."
Poster for the documentary "Only in Theaters."
“Only In Theaters” is available on home video, and streaming on Apple TV, Vudu, and Amazon Prime.
‘Only in Theaters’ Documentary Director: Raphael Sbarge Running Time: 1 hour, 33 minutes MPAA Rating: Not Rated Release Date: Jan. 18, 2023 Rating: 4.5 out of 5
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Originally from Washington, D.C., Michael Clark has provided film content to over 30 print and online media outlets. He co-founded the Atlanta Film Critics Circle in 2017 and is a weekly contributor to the Shannon Burke Show on FloridaManRadio.com. Since 1995, Mr. Clark has written over 4,000 movie reviews and film-related articles. He favors dark comedy, thrillers, and documentaries.
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