André Laplante and the Shanghai Quartet
He opened with two Chopin pieces, “Nocturne in F major, opus 15, no. 1,” which he played best during the parts that required a light touch, and “Fantasie in F major, opus 15 no. 1” the start of which he executed with a contemplative hand and a delicate touch. During the fortissimi Laplante used tremendous energy and could be seen slightly rising off the bench as he struck the keys.
Sometimes hunching over the keyboard à la Glen Gould, Laplante could be heard humming or making other vocalizations during the three pieces from Liszt’s “Années de pélerinage, première année.” The crowd loved his interpretations of soothing music mixed with rounds of excitement. His final, Valee d’Obermann, had the audience on their feet and Laplante breathless from his vigorous playing.
After the intermission, Laplante was joined by the Shanghai Quartet, a particular favourite of the Ottawa audience. Spending 180 days a year on the road means that the quartet is like a family or a marriage. “We are a single entity when playing and when it is time for you to shine, you can’t hesitate,” says violinist Yiwen Jiang. “You need to let the others shine as well. There is harmony. That’s the concept of a whole body.”
“We have rendered this piece many times, and so has Andre,” says violinist Weigang Li. “That’s why when we play together we are quite harmonious, and the result is good.”
The 2008 Chamberfest concert series continues until August 9.