Opera Review: ‘Werther’

Opera Review: ‘Werther’
Tenor Vittorio Grigolo as Werther and mezzo-soprano Veronica Simeoni as Charlotte in Jules Massenet’s “Werther,” about a poet whom we would likely now call manic-depressive. Marty Sohl/Metropolitan Opera
Barry Bassis
Updated:

NEW YORK—The success of any production of Jules Massenet’s “Werther,” the opera based on Goethe’s novel “The Sorrows of Young Werther” depends to a great extent on the tenor playing the manic-depressive title character. The Metropolitan Opera has brought back the production directed by Richard Eyre, starring Vittorio Grigolo, and the tenor has the looks, acting chops and, most important, vocal ability required for the role.

Eyre makes some changes to the opera that do not detract from the impact of the work. First, he changes the time period from the late 18th to the late 19th century, basically moving it into the period when Massenet wrote the opera.

Simeoni gives a tour de force performance of the Letter Scene.
Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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