Opera Review: ‘Tosca’

Opera Review: ‘Tosca’
Act 1 of Giacomo Puccini's "Tosca," in the Metropolitan Opera's new production, with sets and costumes by John Macfarlane. The traditional scenery has been well received by audiences. Ken Howard/Metropolitan Opera
Barry Bassis
Updated:

NEW YORK—Based on Victorien Sardou’s play, a vehicle for Sarah Bernhardt, Giacomo Puccini’s “Tosca” is a melodrama of romantic obsession, political intrigue, and religious themes. The Metropolitan Opera’s production has had its own upheavals, but ultimately the company presented an evening that was dramatically and musically exciting.

For years, the Met used the popular production designed by Franco Zeffirelli. In 2009, this was replaced by Luc Bondy’s edgier version, which was booed at its premiere—a rare event.

Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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