Opera Review: ‘The Merry Widow’

Opera Review: ‘The Merry Widow’
Susan Graham is a charming Hanna Glawari, looking to reunite with an old love, in “The Merry Widow.” Marty Sohl/The Metropolitan Opera
Barry Bassis
Updated:
NEW YORK—Although operetta is usually thought of as a 19th-century form, Franz Lehár’s “The Merry Widow” (“Die Lustige Witwe”) premiered in 1905, and the composer continued to create popular works in this genre until the early 1930s.
“The Merry Widow” is back at the Metropolitan Opera, retaining its fizzy production by director-choreographer Susan Stroman (of “The Producers,” “Contact,” and “Crazy for You”) but with a new star in the title role: Susan Graham.
Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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