Opera Review: ‘The Daughter of the Regiment’

Donizetti’s comic opera lifts the spirits with the tenor’s high C’s.
Opera Review: ‘The Daughter of the Regiment’
Tonio (Lawrence Brownlee), in Donizetti’s “The Daughter of the Regiment.” Michael Brosilow
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CHICAGO—It’s been almost a half-century since the Lyric Opera of Chicago presented “The Daughter of the Regiment.”  It’s hard to believe that the Lyric waited 50 years to reprise Gaetano Donizetti’s comic opera, which first premiered in Paris in 1840.  Maybe the company waited so long because they were worried that the opera’s thin plot wouldn’t appeal to today’s sophisticated opera aficionados.

Indeed, with a libretto by Jules-Henri Vernoy de Saint-Georges and Jean Francois Bayard, the story of “The Daughter of the Regiment” is rather straightforward and simple. It’s about Marie, an orphan who was brought up by a group of paternal French soldiers, and who now cooks and cleans for them. The crux of the tale revolves around the now grown-up Marie who falls in love with, Tonio, a poor fellow whom the soldiers, especially Sgt. Sulpice, believes is unsuitable for their beloved girl.

Betty Mohr
Betty Mohr
Author
As an arts writer and movie/theater/opera critic, Betty Mohr has been published in the Chicago Sun-Times, The Chicago Tribune, The Australian, The Dramatist, the SouthtownStar, the Post Tribune, The Herald News, The Globe and Mail in Toronto, and other publications.
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