Opera Review: ‘Thaïs’

Opera Review: ‘Thaïs’
Gerald Finley as Athanaël and Ailyn Pérez in the title role of Massenet’s “Thaïs.” Bradley Garvin portrayed Athanaël in the performance reviewed. Chris Lee/Metropolitan Opera
Barry Bassis
Updated:
NEW YORK—American soprano Ailyn Pérez has made the transition from promising young artist and award winner—including the 2012 Richard Tucker Award—to established star. This season, she has the leads in three operas at the Metropolitan Opera. The first is the title role in Jules Massenet’s 1894 “Thaïs,” and she demonstrated why she has achieved that artistic stature.

The Plot

“Thaïs” has a ludicrous storyline even though it is based on a respectable literary source: a novel by Nobel Prize winner Anatole France (1844-1924).

The opera begins in Egypt in a monastic community in the desert during the fourth century A. D. A monk named Athanaël has returned from Alexandria to warn everyone that the city has succumbed to sin.  The key perpetrator is a courtesan/actress named Thaïs. Athanaël admits that he had been attracted to her but now wants to convert her to Christianity. Although he is warned that monks are not supposed to get involved in such endeavors, he has an erotic dream about the party girl and resolves to go after her.

Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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