Opera Review: Rossini’s ‘l Barbiere di Siviglia’

Gioachino Rossini’s 1816 comic opera “The Barber of Seville” has returned to the Metropolitan Opera in Bartlett Sher’s production with a starry cast.
Opera Review: Rossini’s ‘l Barbiere di Siviglia’
Pretty Yende as Rosina in “Il Barbiere di Siviglia.” Marty Sohl/Metropolitan Opera
Barry Bassis
Updated:

NEW YORK—Gioachino Rossini’s 1816 comic opera “Il Barbiere di Siviglia” (“The Barber of Seville”) has returned to the Metropolitan Opera with a starry cast in Bartlett Sher’s production. It still meets Giuseppe Verdi’s opinion that the opera is “the finest opera buffa in existence.”

In 1825, “Il Barbiere di Siviglia” was the first opera sung in Italian in the United States, at the Park Theater in New York City. The opera, written when the composer was only 23 years old, was performed for the Metropolitan Opera’s very first season (1883–84).

A scene from "Il Barbiere di Siviglia," at the Metropolitan Opera. (Marty Sohl/Metropolitan Opera)
A scene from "Il Barbiere di Siviglia," at the Metropolitan Opera. Marty Sohl/Metropolitan Opera
Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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