Opera Review: ‘Marriage of Figaro’

With Mozart’s music, Harry Bicket in the pit, and a top-flight cast, Mozart’s comic masterpiece, “Le nozze di Figaro” is in capable hands.
Opera Review: ‘Marriage of Figaro’
(L–R) Christiane Karg as Susanna, Rachel Willis-Sorensen as the Countess, and Serena Malfi as Cherubino in Mozart's “Le Nozze di Figaro.” Chris Lee/Metropolitan Opera
Barry Bassis
Updated:

NEW YORK—With Mozart’s music, Harry Bicket in the pit, and a top-flight cast, Mozart’s comic masterpiece, “Le nozze di Figaro” (“The Marriage of Figaro”) is in capable hands.

Pierre Beaumarchais wrote the play “The Barber of Seville” about Count Almaviva wooing and winning the hand of beautiful Rosina. The count, with the help of the wily barber Figaro, helped trick the young woman’s guardian, Doctor Bartolo.

Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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