Opera Review: ‘La Fanciulla del West’

Opera Review: ‘La Fanciulla del West’
Can one woman tame the wild West? Eva-Maria Westbroek (C) as Minnie in Puccini's "La Fanciulla del West" proves she can. Ken Howard / The Metropolitan Opera
Barry Bassis
Updated:
NEW YORK—“La Fanciulla del West” (“The Girl of the Golden West”) had its splashy world premiere at The Metropolitan Opera in 1910 with Enrico Caruso, Emmy Destinn, and Pasquale Amato starring, and Arturo Toscanini conducting. Despite the powerhouse opening performance, the opera, though periodically revived at the Met, did not become one of Giacomo Puccini’s more popular works.

Puccini (1858–1924) was in attendance at the opening, as was David Belasco, who had written, designed, and directed the production. Puccini was an admirer of Broadway’s Belasco (1853–1931), whose highly popular works were known more for their style than their substance. Puccini first made an opera out of Belasco’s “Madame Butterfly.” Also impressed with Belasco’s Western drama, “The Girl of the Golden West,” he turned that into an opera as well.

Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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