Opera Review: ‘I Puritani’

With the right cast, Bellini’s florid music of “I Puritani” makes for a compelling experience, and in the Metropolitan Opera’s current production we mostly have one.
Opera Review: ‘I Puritani’
Diana Damrau is splendid in her made scene as Elvira in Bellini's I Puritani. Marty Sohl/Metropolitan Opera
Barry Bassis
Updated:

NEW YORK—Vincenzo Bellini’s “I Puritani” has an absurd plot, taken from a French play derived from a novel by Sir Walter Scott. Like Donizetti’s “Lucia di Lammermoor” (also inspired by a Scott novel) the heroine suddenly goes mad. And yet, with the right cast, Bellini’s florid music makes for a compelling experience.

The Metropolitan Opera may not have hit a home run with all four leads but two of them—Diana Damrau and Javier Camarena—are wonderful.

Virginie Verrez as Enrichetta, the widow of the king of England. (Marty Sohl/Metropolitan Opera)
Virginie Verrez as Enrichetta, the widow of the king of England. Marty Sohl/Metropolitan Opera
Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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