‘On the Sublime’ in Literature

Is beauty really in the eye or ear of the beholder or are there standards that apply to define it?
‘On the Sublime’ in Literature
"The Apotheosis of Homer," 1827, by Jean-Auguste-Dominique Ingres. Oil on canvas. Louvre Museum, Paris. Public Domain
Leo Salvatore
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“Beauty is subjective” has become a popular claim. It usually refers to visual arts; its aesthetic merit is thought to depend on arbitrary tastes. However, aesthetic relativism also concerns literature. Cultural and personal differences are often touted as the sole standards to judge a text’s literary merit. As the influential philosopher A. J. Ayer put it in “Language, Truth, and Logic,” “such aesthetic words as ‘beautiful’ and ‘hideous’ are employed not to make statements of fact, but simply to express certain feelings.” In this reading, ephemeral satisfaction is the only standard of literary greatness.
Cultural and personal variations do influence aesthetic standards, but overemphasizing their extent has convinced many that “beauty” doesn’t exist at all, and that everything we experience is a form of subjective pleasure. Is beauty mere subjective gratification, akin to entertainment? Or is it something qualitatively different and more profound? If a text is more beautiful than another, what makes it so?

‘On the Sublime’

Leo Salvatore
Leo Salvatore
Author
Leo Salvatore is an arts and culture writer with a master's degree in classics and philosophy from the University of Chicago and a master's degree in humanities from Ralston College. He aims to inform, delight, and inspire through well-researched essays on history, literature, and philosophy. Contact Leo at [email protected]