NEW YORK—The seventh NTD International Figure Painting Competition continues its celebration of classical realism, bringing together artists whose works convey not just technical mastery, but moral depth, beauty, and humanity. While the award ceremony is still ahead, the submissions already reveal an evolution among returning participants: Their paintings now integrate theme, narrative, and spirit in ways that transcend the necessary technique of accurate representation.
Zhang Kunlun, chief judge of the competition, explains, “Technique is essential, but it alone cannot convey inner meaning. The works that truly stand out are those that combine skill with a message that uplifts the viewer—art that embodies pure truth, pure kindness, and pure beauty.” He points to artists like Sandra Kuck, whose journey from simple portraiture to the thematically rich “Brushing Death Away” demonstrates how repeated engagement with the competition can deepen an artist’s understanding of composition, narrative, and moral resonance.
For many artists, participating in the NTD competition is more than a chance to showcase skill—it is a dialogue with tradition and with the human spirit. Miriam Baranov, whose intimate life-painted portraits capture not just the sitter’s appearance but their essence, describes the process as “a conversation with another human being … something that a photograph can never convey.” She adds that engaging with the competition has reinforced her sense of purpose as an artist, connecting her with like-minded peers across cultures in pursuit of beauty and truth.
Xueye Zhu, manager of the competition, emphasizes its unique position in today’s art world: “Contemporary trends often value novelty over substance. This competition asks artists to return to tradition—not just in technique, but in striving for moral and aesthetic excellence. It is about giving hope, uplift, and integrity to audiences through art.”
Over the past 18 years, Zhu has seen submissions steadily evolve as artists come to understand the competition’s guiding principles. “At first, many works didn’t follow our theme,” he said. “Now we see more and more paintings that not only show technique, but also bring hope, brightness, and righteousness.”
Over nearly two decades, the competition has guided artists toward deeper engagement with these principles, producing works that are both technically precise and spiritually resonant.
As the finalists gather and the awards are announced, one question lingers: Will this year see a first-prize winner? Last year’s competition awarded a second prize—a silver award—but not a first. With submissions reflecting a growing maturity among repeat participants and the competition’s enduring commitment to classical standards, the anticipation is high.
The NTD International Figure Painting Competition continues to offer a rare glimpse into the timeless power of art to inspire, elevate, and connect humanity.
