Loss and Gain: Three Artistic Renditions of Orpheus and Eurydice

Jean-Baptiste-Camille Corot, John Waterhouse, and Auguste Rodin illustrate the story of a poet whose art was born of his wife’s sacrifice and led to his own.
Loss and Gain: Three Artistic Renditions of Orpheus and Eurydice
"Orpheus and Eurydice," 1893, by Auguste Rodin. Public Domain
Mari Otsu
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The tale of Orpheus and Eurydice is a tragic story from Greco-Roman mythology. Orpheus was a celebrated poet and musician, and Eurydice was his dear wife. One day, during an attempt to flee the pursuit of Aristaeus, Eurydice was fatally bitten by a snake that she trod upon. Beside himself in grief, Orpheus journeyed to the Underworld to beg Hades to release his wife.

With the harmony of his lyre, the poet-musician successfully charmed the spirits of the Underworld. Hades and Persephone (goddess of the Underworld) agree to let Eurydice return to the living world on one condition: Orpheus must guide her out of the Underworld without looking back at her until they reach the world of the living. Then, in the moment that defines the myth, as Ovid tells it, close to the “margin of the upper earth … eager for sight of her … [Orpheus] turned back his longing eyes; and instantly she slipped into the depths.”

Mari Otsu
Mari Otsu
Author
Mari Otsu holds a bachelor's in psychology and art history and a master's in humanities. She completed the classical draftsmanship and oil painting program at Grand Central Atelier. She has interned at Harvard University’s Gilbert Lab, New York University’s Trope Lab, the West Interpersonal Perception Lab—where she served as lab manager—and at the Smithsonian American Art Museum.