In Awe of Ancient Portraits

Exploring the Roman-era Egyptian art of portraiture may surprise you.
In Awe of Ancient Portraits
“Portrait of the Boy Eutyches,” A.D. 100–150 (Egypt), by an anonymous artist. Encaustic on panel; 14 15/16 inches by 7 1/2 inches. Gift of Edward S. Harkness, 1918; The Metropolitan Museum of Art, New York City. Public Domain
Lorraine Ferrier
Updated:
0:00

Perhaps more than any other art genre, portrait and figurative arts appeal to our shared humanity. Each face that peers out of a portrait shares emotions and facial expressions familiar to us all—in a stranger’s portrait, we can see ourselves.

A small selection of ancient paintings in the Metropolitan Museum of Art (the Met) in New York City shows the enduring nature of portraits painted true to life. From afar, some of the fresh faces peering from the portraits look like recent renderings in oil. Yet ancient Egyptian artists painted these portraits more than 1,900 years ago by using encaustic paint, a mixture of beeswax and pigments. With encaustic paint, they achieved fluid, luminous paintings similar to those that 15th-century oil painters created centuries later. Up close, we can see beeswax grooves on the portrait’s surface.

Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.