Hope for the Impossible

Hope for the Impossible
“The Raft of Medusa” in 1818-1819 by Théodore Géricualt. Oil on Canvas, 16.1 feet by 23.4 feet. Louvre Museum, Paris. Public Domain
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During the 19th century, at the height of the Enlightenment, neoclassicists and romanticists debated the purpose of art.

The neoclassicists looked back to ancient Greece and Rome for guidance. They were concerned with reestablishing order and structure in their artistic creations. Often, neoclassical paintings, like Jacques-Louis David’s “Oath of the Horatii,” looked to accurately illustrate historical stories down to the dress and architecture.

Eric Bess
Eric Bess
Author
Eric Bess, Ph.D., is a fine artist, a writer on art-related topics, and an assistant professor at Fei Tian College in Middletown, New York.
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