From Silver Screen to Stage: ‘Irving Berlin’s White Christmas’

The popular Hollywood holiday staple ushers in the festive season.
From Silver Screen to Stage: ‘Irving Berlin’s White Christmas’
Judy Haynes (Kelly Felthous) and Phil Davis (Tyler Johnson-Campion) dance together, in "Irving Berlin's White Christmas," now playing at the Marriott Theatre in Illinois. Liz Lauren
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LINCOLNSHIRE, Ill.—Irving Berlin (1888–1989) never expected his song “White Christmas” to be a big hit. At the time he wrote it in 1940, he thought of it as just a lightweight melody. But when the Japanese attacked Pearl Harbor on Dec. 7, 1941, the song took on a different meaning. As America mobilized for war and soldiers were on their way overseas, everyone longed for days “just like the ones I used to know.”

Indeed, there’s still many of us who also long for yesteryear America just like the ones we used to know. That’s why “Irving Berlin’s White Christmas,” which premiered in 2000, still resonates with us today and is one of the reasons that the production at the Marriott Theatre in Lincolnshire, Illinois is a much-welcomed entertainment heralding this season’s Christmas.

The Man and the Songs

Berlin’s “White Christmas” song was originally featured in the 1942 black-and-white film “Holiday Inn,” which takes place in Connecticut. It featured Bing Crosby and Fred Astaire. The song was then reprised in the 1954 Technicolor movie “White Christmas,” set in Vermont, starring Crosby, Danny Kaye, Vera-Ellen, and Rosemary Clooney. That second movie became so popular that playwrights David Ives and Paul Blake adapted it into a stage musical.
Betty Mohr
Betty Mohr
Author
As an arts writer and movie/theater/opera critic, Betty Mohr has been published in the Chicago Sun-Times, The Chicago Tribune, The Australian, The Dramatist, the SouthtownStar, the Post Tribune, The Herald News, The Globe and Mail in Toronto, and other publications.