Exhibition: ‘The Chiaroscuro Woodcut in Renaissance Italy’ at the National Gallery of Art

Exhibition: ‘The Chiaroscuro Woodcut in Renaissance Italy’ at the National Gallery of Art
“Martyrdom of Two Saints,” circa 1527–1530, by Antonio da Trento, after Parmigianino. Chiaroscuro woodcut from three blocks in light gray-brown, medium gray-brown, and black, state i/ii, 11 1/2 inches by 19 inches. Gift of Ruth Cole Kainen. National Gallery of Art
Lorraine Ferrier
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Some of the rarest prints of the Italian Renaissance have come together for a comprehensive American show. “The Chiaroscuro Woodcut in Renaissance Italy” presents around 100 prints, from American and British collections, at the National Gallery of Art (NGA) in Washington until Jan. 20, 2019.
The exhibition opened at the Los Angeles County Museum of Art (LACMA), organized by its curator of prints and drawings, Naoko Takahatake, in association with NGA. Having recently opened in Washington, under the care of curator Jonathan Bober, the exhibition and accompanying catalog edited by Takahatake highlight new insights from decade-long research into the art of Italian chiaroscuro woodcuts, a highly regarded, but little-known type of early color printmaking.
Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
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