‘Death Becomes Her’: Immortality Has a Price

If it seems too good to be true, it probably is, as two youth-obsessed starlets learn in the Broadway adaptation of ‘Death Becomes Her.’
‘Death Becomes Her’: Immortality Has a Price
Megan Hilty (L) and Jennifer Simard play rivals in “Death Becomes Her.” Matthew Murphy and Evan Zimmerman
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NEW YORK—Society’s obsession with staying young takes it on the chin and elsewhere in the no-holds-barred Broadway musical comedy, “Death Becomes Her.” Based on the 1992 movie of the same name, the show combines satire with harsh realities as it warns those seeking their deepest fantasy to be careful what they wish for.

The Price of Self-Obsession

Aging actress and full-tilt diva, Madeline Ashton (Megan Hilty) hasn’t appeared on screen in years. Once a glamorous, in-demand star, and a two-time Oscar nominee—as she keeps reminding everyone—she’s now reduced to appearing in an infomercial. In it, she extolls the virtues of wrinkle cream as the “before” actress in an on-camera demonstration.
Viola Van Horn (Michelle Williams, L) shows the aging starlet Madeline Ashton (Megan Hilty) what's possible, in "Death Becomes Her." (Matthew Murphy and Evan Zimmerman)
Viola Van Horn (Michelle Williams, L) shows the aging starlet Madeline Ashton (Megan Hilty) what's possible, in "Death Becomes Her." Matthew Murphy and Evan Zimmerman
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.