CHICAGO—Art experts may not find “Art” to their liking, but the audience at the play I recently attended at the Remy Bumppo Theatre in Chicago obviously loved it. They howled in laughter at its jaw-dropping hilarious take on modern art.
Written by French playwright Yasmina Reza, “Art” premiered in Paris in 1994, was translated into English by Christopher Hampton for its London production in 1996, and moved to Broadway in 1998, where it won a Tony Award for Best Play.
Elegantly directed by Marti Lyons, the fast-paced 90-minute play begins as three friends—Serge, Marc, and Yvan—contemplate a large painting with white lines upon a white background. Serge stands proudly in front of the painting that he just purchased it for a huge sum of money. Upon hearing the work’s staggering price, Marc can’t help but make fun of his friend for paying so much for what he believes is a piece of ridiculous trash.
Serge is a wealthy and successful dermatologist, who believes that his desire for the finer things of life sets him apart. Some see him as an elitist snob, but he considers himself a modern, sophisticated intellectual. His high-brow taste gives him a feeling of superiority and importance.
Marc considers himself an independent thinker. He’s a traditionalist who believes art should be profound and meaningful. He thinks the frivolous purchase of the white painting reflects poorly on Serge. How, he wonders, could his friend of 15 years possibly like it?
Relatable Themes
The play is a laugh riot, not only because of Reza’s sharp dialogue and rapier wit, but also because much of her critique of modern art rings true. She skewers art that has nothing to do with beauty or aesthetic experience, and suggests that it’s just a joke meant to drive up prices for absurd paintings.
But “Art” isn’t only about making fun of ludicrous works of art. It’s also about how long-term friendships can be damaged by stubborn opinions that prevent people from understanding other points of view. Indeed, the three friends’ differences of opinion lead to intense discussions and powerful arguments. It even turns into a physical confrontation.
The plot of “Art” is so strong, its characters so compelling, and the back-and-forth sharp-witted dialogue so riveting that the play’s minimalist setting works. It’s as impersonal as the painting at its center. Set in a simple apartment by scenic designer Lauren M. Nichols with lighting by Liz Gomez, there’s no need for much furniture or fuss. The focus is on the large canvas and the characters’ relationships.
What is required of this extraordinary work is a trio of exceptional actors. Thankfully, Remy Bumppo offers a terrific ensemble. The actors work exceptionally well together and simultaneously represent individuals who stand in stark contrast to each other.
Chad Bay delivers a powerful spin as the social-climbing Serge, who wants to belong to the in-crowd; Justin Albinder gets the best and funniest lines as Marc, who lets the insults on art and his friend rip; and as Yvan, Eduardo Curley offers a nice turn as the middle-of-the roader who doesn’t want to be tied down to a decision.
Rarely does a thought-provoking play tackle the problems of friendships or of individual thought versus collective groupthink with such brilliant insight and uproarious laughs. After seeing this show, audiences won’t look at a painting or friendship in the same way again.
“Art” is the best show, the most engaging comedy of the year! Don’t miss it!
