Bridges to Transcendence: The Arts, Liberty, and the Soul

Bridges to Transcendence: The Arts, Liberty, and the Soul
Brooklyn Bridge, New York City, 1877, by Currier & Ives. Library of Congress. Public Domain
Jeff Minick
Updated:
In “Recessional: The Death of Free Speech and the Cost of a Free Lunch,” playwright David Mamet attacks the “virus of conformity” that he now sees as rampant in Western culture. As the blurb on the book’s flyleaf states:

“‘Recessional’ is a vital warning that if we don’t confront the cultural thuggery now, the commissars and their dupes will transform the Land of the Free into the dictatorship at which they aim.”

In one of the book’s essays, “Hamlet and Oedipus Meet the Zombies,” Mamet ends with this paragraph:

“Outreach, education, diversity, and so on are tools of indoctrination. So, for example, are marine boot camp and the Bar Mitzvah. But art is the connection between inspiration and the soul of the observer. This insistence on art as indoctrination is obscenity, denying and indicting the possibility of human connection to truths superior to human understanding, that is, to the divine.”

Most of this paragraph is straight up in its meaning. In his mention of boot camp and the Jewish coming-of-age rite, for example, Mamet offers examples of reasonable indoctrination, designed in both cases to make men and warriors out of boys. But what did he mean by “soul,” “truths superior to human understanding,” and “the divine”?
Here are some thoughts.

A Contradiction in Terms

Art that is intended to indoctrinate, to act as political propaganda for whatever cause, is simply not great art. It is a tool used to sway masses of people, to convince them of the righteousness of a cause or an ideology.
Jeff Minick
Jeff Minick
Author
Jeff Minick has four children and a growing platoon of grandchildren. For 20 years, he taught history, literature, and Latin to seminars of homeschooling students in Asheville, N.C. He is the author of two novels, “Amanda Bell” and “Dust on Their Wings,” and two works of nonfiction, “Learning as I Go” and “Movies Make the Man.” Today, he lives and writes in Front Royal, Va.
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