Ballerina Ashley Tuttle: Classics Reveal Our Essential Humanity

Ballerina Ashley Tuttle sees classical ballet, like all the classic arts, as trying to get at truthful expression.
Ballerina Ashley Tuttle: Classics Reveal Our Essential Humanity
Ashley Tuttle in "Swan Lake." Rosalie O'Connor
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Beauty in the arts comes from human emotion honestly expressed, a quality often found in the classics, says ballerina and Tony-nominated actress and dancer Ashley Tuttle. She asks us to reconsider the importance of traditional ballet.

Tuttle joined American Ballet Theatre at the invitation of Mikhail Baryshnikov when she was only 16 and then spent 17 years with the company, reaching the rank of principal dancer and appearing in roles such as Juliet in Sir Kenneth MacMillan’s “Romeo and Juliet,” Aurora in “The Sleeping Beauty,” Odette/Odile in Kevin McKenzie’s “Swan Lake,” and the title role in “Giselle,” among many others.

Sharon Kilarski
Sharon Kilarski
Author
Sharon writes theater reviews, opinion pieces on our culture, and the classics series. Classics: Looking Forward Looking Backward: Practitioners involved with the classical arts respond to why they think the texts, forms, and methods of the classics are worth keeping and why they continue to look to the past for that which inspires and speaks to us. To see the full series, see ept.ms/LookingAtClassics.
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