After the Rediscovery of a 19th-Century Novel, Our View of Black Female Writers Is Transformed

After the Rediscovery of a 19th-Century Novel, Our View of Black Female Writers Is Transformed
Victorian-era, middle-class black women who loved to read and write didn’t have many role models. Jeffrey Green
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Two years ago, I was in the United Kingdom working on a follow-up project for my books “Black London” and “Black Victorians/Black Victoriana.” While looking through old British newspapers, I was astonished to read an 1893 announcement in The Daily Telegraph proclaiming Sarah E. Farro to be “the first negro novelist” with the publication of her novel “True Love.”

I wondered: who was this woman? And why didn’t we know about this reportedly groundbreaking novel?

The Daily Telegraph didn’t get it exactly right: we know now that Farro wasn’t the first African-American novelist. Nonetheless, she appears nowhere in the canon of African-American literature.

After doing more research, I soon realized that Farro had made her mark writing about white people – and that this may also be the reason her work was forgotten. Learning of a black woman whose race was documented, whose novel was published – but who disappeared in the historical record – can change how we think about African-American literature.

Farro Joins a Small Club

Searches of American census records show that Sarah E. Farro was born in 1859 in Illinois to parents who moved to Chicago from the South. She had two younger sisters, and her race is given as “black” on the 1880 census.

The title page for 'True Love.' (Author provided)
The title page for 'True Love.' Author provided
Gretchen Gerzina
Gretchen Gerzina
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