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“Birdman” squawked loudest in the Golden Globes nominations, flying away with a leading seven nods including best picture in the comedy or musical category.
When we first see Michael Keaton in “Birdman,” Alejandro G. Inarritu’s bracingly inventive and accomplished new film about fame, relevance, self-worth, and lots of other intense stuff, he’s sitting in his white undies, in the middle of a dressing room.
