Say what you will about YA movies, but they’ve been an efficient star-making machine that’s produced Jennifer Lawrence, Kristen Stewart and Shailene Woodley.
In his exciting first three films, writer-director J.C. Chandor, the son of a Merrill Lynch investment banker, has proven to be a canny, clear-eyed studier of capitalism, sensitive to its strivers and alert to its ethical storms.
Hollywood’s 2014 may well go down as a mere box-office blip, or it could be Act One in a drama of coming digital disruption.
The top 10 films of 2014, according to AP writers Jake Coyle and Jocelyn Noveck.
While Hollywood continued to wrestle with the fallout of the Sony hacking scandal, the weekend box office offered the solace of a moviegoing truism: Hobbits sell.
“Birdman” squawked loudest in the Golden Globes nominations, flying away with a leading seven nods including best picture in the comedy or musical category.
To what do we owe the second coming of the biblical epic?
The characters of the modern workplace comedy, like the rest of us, don’t know how to make a living anymore.
Say what you will about YA movies, but they’ve been an efficient star-making machine that’s produced Jennifer Lawrence, Kristen Stewart and Shailene Woodley.
In his exciting first three films, writer-director J.C. Chandor, the son of a Merrill Lynch investment banker, has proven to be a canny, clear-eyed studier of capitalism, sensitive to its strivers and alert to its ethical storms.
Hollywood’s 2014 may well go down as a mere box-office blip, or it could be Act One in a drama of coming digital disruption.
The top 10 films of 2014, according to AP writers Jake Coyle and Jocelyn Noveck.
While Hollywood continued to wrestle with the fallout of the Sony hacking scandal, the weekend box office offered the solace of a moviegoing truism: Hobbits sell.
“Birdman” squawked loudest in the Golden Globes nominations, flying away with a leading seven nods including best picture in the comedy or musical category.
To what do we owe the second coming of the biblical epic?
The characters of the modern workplace comedy, like the rest of us, don’t know how to make a living anymore.