The exhibition “The Unfinished Revolution” makes plain the value of Samer Muscati’s photography.
“Geometries & Auralities of Survival” by Jesse Stewart presents a program of site-specific music and visual art at the Diefenbunker: Canada’s Cold War Museum in Carp, Ontario.
“Erosion” is a solo exhibition by Ottawa photographer Christine Fitzgerald presenting a suite of 13 photographs, each one a view of sky, water, and shoreline.
“Big Bang” at SAW Gallery, an artists-run centre in Ottawa, is a large exhibition showcasing the work of 14 artists of the Ottawa-Gatineau region.
At the end of summer, the intense greens of carefully tended gardens, deciduous trees, and cultivated grounds are evident everywhere in Ottawa.
Exhibition at the Canadian War Museum showcases a day in the life of a gladiator.
Almonte, Ontario, once the location of seven textile mills, is now a bustling arts community.
“Beautiful Destruction” is a big book. So, too, is its subject matter and the ambitions of its author, aerial photographer Louis Helbig.
In Canada in 1917, across the waters from war-torn Europe, discord and dissension took hold.
The exhibition “The Unfinished Revolution” makes plain the value of Samer Muscati’s photography.
“Geometries & Auralities of Survival” by Jesse Stewart presents a program of site-specific music and visual art at the Diefenbunker: Canada’s Cold War Museum in Carp, Ontario.
“Erosion” is a solo exhibition by Ottawa photographer Christine Fitzgerald presenting a suite of 13 photographs, each one a view of sky, water, and shoreline.
“Big Bang” at SAW Gallery, an artists-run centre in Ottawa, is a large exhibition showcasing the work of 14 artists of the Ottawa-Gatineau region.
At the end of summer, the intense greens of carefully tended gardens, deciduous trees, and cultivated grounds are evident everywhere in Ottawa.
Exhibition at the Canadian War Museum showcases a day in the life of a gladiator.
Almonte, Ontario, once the location of seven textile mills, is now a bustling arts community.
“Beautiful Destruction” is a big book. So, too, is its subject matter and the ambitions of its author, aerial photographer Louis Helbig.
In Canada in 1917, across the waters from war-torn Europe, discord and dissension took hold.