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motion picture production code
Film & TV
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Tiffany Brannan
‘I Married a Witch’ (1942): Corrupting the Motion Picture Production Code
Oct 31, 2023
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Tiffany Brannan
Oct 31
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Film & TV
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Tiffany Brannan
‘The Palm Beach Story’ From 1942: Discovering the Non-Code Era
Jun 09, 2023
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Tiffany Brannan
Jun 09
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Film & TV
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Tiffany Brannan
‘The Model and the Marriage Broker’ From 1951: Hitching for Happiness
May 04, 2023
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Tiffany Brannan
May 04
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Viewpoints
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Tiffany Brannan
In Defense of Hollywood’s Old Code: Debunking the Common Myths
Mar 28, 2023
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Tiffany Brannan
Mar 28
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Viewpoints
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Jeffrey A. Tucker
Hollywood’s Old Code Is Better Than the New Code
Mar 17, 2023
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Jeffrey A. Tucker
Mar 17
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Film & TV
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Tiffany Brannan
Sisters, Mothers, and More: Feminine Familial Roles in Classic Films
Mar 16, 2023
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Tiffany Brannan
Mar 16
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Film & TV
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Tiffany Brannan
‘Housewife’ from 1934: A Pre-Code Holdover
Mar 01, 2023
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Tiffany Brannan
Mar 01
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Film & TV
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Tiffany Brannan
Book Review: ‘Hollywood’s Censor: Joseph I. Breen & The Production Code Administration’
Feb 24, 2023
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Tiffany Brannan
Feb 24
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Timeless Principles
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Tiffany Brannan
‘The Elephant Song:’ Breening a Modern Play
Feb 06, 2023
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Tiffany Brannan
Feb 06
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Film & TV
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Tiffany Brannan
‘A Christmas Carol’ (1938): A Classic Take on a Timeless Story
Dec 23, 2022
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Tiffany Brannan
Dec 23
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Film & TV
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Tiffany Brannan
‘Waterloo Bridge’ (1940): The Power of Subtlety
Sep 21, 2022
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Tiffany Brannan
Sep 21
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Viewpoints
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Tiffany Brannan
To Breen or Not to Breen: ‘A Streetcar Named Desire’ From 1951
Jul 22, 2022
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Tiffany Brannan
Jul 22
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Viewpoints
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Tiffany Brannan
Why ‘Dobbs vs. Jackson’ Gives Me Hope for Hollywood
Jul 12, 2022
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Tiffany Brannan
Jul 12
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Viewpoints
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Tiffany Brannan
‘Star Wars’ vs ‘See No Evil’: The Code, The Chosen One, and Hollywood’s Fall to the Dark Side
May 20, 2022
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Tiffany Brannan
May 20
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