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Film & TV
Film & TV

‘I Married a Witch’ (1942): Corrupting the Motion Picture Production Code

‘I Married a Witch’ (1942): Corrupting the Motion Picture Production Code
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Film & TV
Film & TV

To Breen or Not to Breen: ‘Casablanca’ from 1942

To Breen or Not to Breen: ‘Casablanca’ from 1942
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Film & TV
Film & TV

‘The Wizard of Oz’ (1939): Why It’s the Most Watched Movie Ever

‘The Wizard of Oz’ (1939): Why It’s the Most Watched Movie Ever
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Film & TV
Film & TV

‘Cocktail Hour’ (1933): The Importance of Pre-Code Films

‘Cocktail Hour’ (1933): The Importance of Pre-Code Films
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Film & TV
Film & TV

‘Angels With Dirty Faces’: Hollywood’s Irish Moral Guardians

‘Angels With Dirty Faces’: Hollywood’s Irish Moral Guardians
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Film & TV
Film & TV

‘I Married a Witch’ (1942): Corrupting the Motion Picture Production Code

‘I Married a Witch’ (1942): Corrupting the Motion Picture Production Code
|
Film & TV
Film & TV

To Breen or Not to Breen: ‘Casablanca’ from 1942

To Breen or Not to Breen: ‘Casablanca’ from 1942
|
Film & TV
Film & TV

‘The Wizard of Oz’ (1939): Why It’s the Most Watched Movie Ever

‘The Wizard of Oz’ (1939): Why It’s the Most Watched Movie Ever
|
Film & TV
Film & TV

‘Cocktail Hour’ (1933): The Importance of Pre-Code Films

‘Cocktail Hour’ (1933): The Importance of Pre-Code Films
|
Film & TV
Film & TV

‘Angels With Dirty Faces’: Hollywood’s Irish Moral Guardians

‘Angels With Dirty Faces’: Hollywood’s Irish Moral Guardians
|