Kamel Abdeli

Jean-Luc Godard might be using the latest in 3-D technology, but it is in the service of his decades-old ideological and aesthetic program. He will strip away bourgeoisie affectations, like plot and characterization, in favor of wordplay and collage. However, all viewers are left with is Godard’s dog Miéville (playing Roxy) in “Goodbye to Language.”