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Foxcatcher is refreshingly unique. Whether it’s good is something that still needs wrestling over.
Like the slow rhythmic tapping on the drumskin, Damian Chazelle’s exhaustively brilliant drama begins as a quiet character study, slowly works in its astonishing acting components as an accompanying beat, before exploding into a bloodied knuckle crescendo of a finale which ranks as one of the very best performed, edited, and emotionally stimulating scenes in recent memory.
“The Drop” is the film marks the final performance of a talent prematurely snatched from us, the brilliant James Gandolfini.
