Film Review: ‘The Iron Ministry’

52nd New York Film Festival
By Joe Bendel
Joe Bendel
Joe Bendel
August 21, 2015 Updated: August 24, 2015

Anyone who still holds to the illusion that the People’s Republic of China was a classless society will stand corrected by the extreme economic stratification of the nation’s rail travel. There is a very definite class hierarchy and the respective accommodations vary accordingly. The train is kind of-sort of a metaphor, but it is also a rather cinematic setting for J.P. Sniadecki’s observational documentary “The Iron Ministry,” which screened during the 52nd New York Film Festival.

A scene from
A scene from “The Iron Ministry.” (Icarus Films)

In many ways, “Ministry” functions as a perfect companion film to Lixin Fan’s “Last Train Home,” but it is not nearly as depressing. Granted, there are literally throngs of people crammed into the lowest class compartments, many of whom are likely facing some pretty grim circumstances. The conductors also uniformly seem to be officious jerks. However, there is a whole lot of life going on throughout the trains Sniadecki filmed.

In fact, some of the most fun seems to be going on where the lower middle class meets the upper rabble. For a fly-on-the-wall ethnographic film, “Iron Ministry” is surprisingly funny, especially the devilish kid cracking morbid jokes about the government’s population control policies. If he is the future, the Party is in trouble.

Frankly, it is hard to say whether the film inspires optimism or not. In one scene, an informal group of passengers start to criticize the corruption and control of the Communist government only to somewhat walk it back shortly later and then creep it forward a little. At least, Sniadecki captures a sense of the country’s cultural and religious diversity, broadening viewers’ perspective in small but telling ways.

For a fly-on-the-wall ethnographic film, “Iron Ministry” is surprisingly funny.

Filmed on a fleet of trains over a three year period, “Iron Ministry” is an immersive sensory experience, but in this case that is not code for dull and depressing. It is a rather sly film that earns kudos for its correct Queen’s English usage of the word “inflammable” in the subtitles.

The Mandarin speaking Sniadecki also deserves credit for getting bounced out of the upper class carriages.

Livelier than you would expect, “The Iron Ministry” is recommended for anyone who wants to experience a slightly claustrophobic transcontinental Chinese rail journey from the comfort of the Upper Westside when it opens this Friday, Aug. 21 at MoMA.

 “The Iron Ministry”
Directors: J.P. Sniadecki
Running time: 1 hour, 22 minutes
Release date: Aug. 21
4 stars out of 5

Joe Bendel writes about independent film and lives in New York. To read his most recent articles, please visit

Joe Bendel
Joe Bendel