China’s Copyright Violations of South Korea’s Entertainment Media Has Doubled

By Lisa Bian
Lisa Bian
Lisa Bian
Lisa Bian is a Korea-based writer for The Epoch Times focusing on Korean society, its culture, and international relations.
March 7, 2022 Updated: March 7, 2022

China’s brazen copyright violations of South Korea’s entertainment content have doubled since 2016, says South Korea’s culture ministry.

Since 2017, China’s copyright infringements have become a major headache for South Korean content makers. After Beijing cracked down on Korean pop culture in China, in retaliation for South Korea deploying THAAD (a U.S. anti-missile system), South Korea lost its multi-billion dollar entertainment market in China.

South Korea’s entertainment content, also known as the “Korean wave” or “Hallyu” in Chinese, refers to the global popularity of South Korea’s cultural exports of pop culture, entertainment, music, TV dramas, and movies.

China’s copyright infringements on South Korean pop culture content have reportedly increased from 55,280 cases in 2016 to 107,053 in 2021, nearly doubling in five years, according to South Korean daily newspaper Kukmin Ilbo, citing data from its Ministry of Culture, Sports and Tourism.

“I am concerned that the [Moon Jae-in] government’s lukewarm attitude toward China may encourage China’s reckless copyright infringement of [South Korean entertainment content],” Rep. Thae Yong-ho of the main opposition People Power Party (PPP) said while citing the culture ministry’s report.

“The next administration must take active measures to protect our Korean wave content,” Thae added.

According to the report, from Jan. 1 to Feb. 10 of this year, in just 40 days, at least 1,290 cases of illegally distributed Korean content were found on various Chinese streaming platforms.

“We are supporting remedies such as sending warning letters and deleting illegal URLs at the copyright holder’s request through the Korea Copyright Commission’s China office,” the culture ministry said.

The THAAD Conflict

China’s blatant copyright violations and content plagiarism do not appear to be just a matter of business, but a byproduct of political dynamics between the two countries after South Korea’s Terminal High Altitude Area Defense (THAAD) system became operational in 2017.

THAAD is a U.S.-designed and manufactured anti-missile system installed in South Korea between 2016 and 2017 to defend against North Korea’s nuclear missile build-up. However, Beijing has insisted that the deployment of THAAD affects China’s security and has since adopted a series of countermeasures against South Korea, one of which is banning Korean pop culture businesses in China.

From TV dramas to fried chicken, South Korean products are especially popular among young people in China, and have become an integral part of much of the Chinese population.

With most Korean TV shows and K-pop music videos blocked from streaming in China, Chinese audiences turned to pirating South Korean content through the web. Meanwhile, many Chinese broadcasters plagiarize South Korea’s hit entertainment programs.

In October 2021, China’s biggest streaming platform, Youku, was accused of plagiarizingSquid Game,” one of the most popular TV shows in recent history. The Chinese version was named “Squid’s Victory.”

Although the line between inspiration and plagiarism is often a fine one, many Chinese retailers were already selling Squid Game’s merch including masks, costumes, food, and other props, without authorization from the copyright holder.

During a presentation to the Korean parliament on Oct. 6, 2021, Jang Ha-sung, Korea’s ambassador to China, said over 60 Chinese websites were illegally broadcasting Squid Game. A high volume of viewers were able to freely download videos designed to imitate the popular program. This was occurring before Netflix entered the Chinese market.

On Oct. 14, 2021, Choi Hyeong-du, a member of Korea’s National Assembly (People Power Party), called for an end to China’s pirating activities by requesting the “protection of intellectual property rights.” He claimed that although the Chinese regime may not have been involved, it had not prevented retailers from imitating and selling Squid Game properties. He said, “Just as the U.S. released the list of countries that infringed on its intellectual property rights, we should also openly disclose the cases of infringement.”

Lisa Bian
Lisa Bian is a Korea-based writer for The Epoch Times focusing on Korean society, its culture, and international relations.