Film Review: ‘The Hateful Eight’ Another Tarantino N-word Fest

Classic Tarantino: yakkety-yakking murderers and slapstick gore. Tarantino’s style has always been a kind of fetish-ized 1970s cinema; part grindhouse, part blaxploitation, and in order to “justify” the N-word spew-age, he tends to eventually let black men do bad things to white men.
Mark Jackson
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Quentin Tarantino had one good acting role, in “From Dusk Till Dawn,” as George Clooney’s pedophile brother. He was pretty good. Good and creepy. But generally speaking—Quentin doesn’t act well.

The man can, however, direct, and when he’s on, he’s electrifying. When he’s off, (and even when he’s on) you can pretty much get the same effect by recording utterances of the “N-word” at, oh, say, a KKK rally—and then cycling that loop for two hours.

Think of 'The Hateful Eight' as the culmination of a body of work magnanimously engineered to liberate the N-word from PC-lockdown.
Mark Jackson
Mark Jackson
Film Critic
Mark Jackson is the chief film critic for The Epoch Times. In addition to film, he enjoys martial arts, motorcycles, rock-climbing, qigong, and human rights activism. Jackson earned a bachelor's degree in philosophy from Williams College, followed by 20 years' experience as a New York professional actor. He narrated The Epoch Times audiobook "How the Specter of Communism is Ruling Our World," available on iTunes, Audible, and YouTube. Mark is a Rotten Tomatoes-approved film critic.
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