Commentary
Reading the SAT (Practice Test #10), I find my self learning about the obscure painter Jacob Lawrence, whose modernist paintings would be passed over by 99 percent of Americans as nothing more significant than a weird, high school art project. We are left to assume that Lawrence’s prominent location on the SAT is derived from the fact that he is an African American. But shouldn’t we be judging his paintings—to paraphrase Martin Luther King, Jr.—on the content of their character, not on the color of the painter’s skin?





