Film Review: ‘Inside the Mind of Leonardo’

By Joe Bendel
Joe Bendel
Joe Bendel
Joe Bendel writes about independent film and lives in New York. To read his most recent articles, visit
December 17, 2014 Updated: December 18, 2014

Probably the best established fact of Leonardo da Vinci’s mysterious life is his brilliance. It is hardly surprising that he has inspired quite a few speculative novels, films, and television shows from the likes of Dan Brown, Ron Howard, Roberto Benigni, and David Goyer.

His art is instantly recognizable, but there are plenty of holes in the historical record, where stuff can be safely made up. Of course, that just won’t do for the documentary festival DOC NYC or the History Channel. In “Inside the Mind of Leonardo,” scrupulously adapted from da Vinci’s notebooks, Julian Jones gives viewers an impressionistic, 3-D portrait of the great Renaissance artist.

Raised by his single servant-girl mother, Leonardo had little formal education, but maybe that was just as well, sparing him the burden of a lot of false preconceptions. Verrocchio certainly recognized his young apprentice’s talents. However, he was not nearly as prolific a painter as one might assume (or hope). His journals are another matter.

The extensive da Vinci notebooks offered Jones and his co-screenwriter Nick Dear a treasure trove of material. With Oxford professor Martin Kemp vetting for accuracy, they give viewers a good nutshell overview of the original Renaissance man’s life and abiding ambitions.

Peter Capaldi plays Leonardo da Vinci in
Peter Capaldi plays Leonardo da Vinci in “Inside the Mind of Leonardo.” (IWC Media)

Forgoing familiar imagery, like “Vitruvian Man,” Jones and the animation team render da Vinci’s muscular sketches of birds in flight and humans in motion in evocative 3-D, while Peter Capaldi performs extracts from the various codices in the manner of a one-man stage play.

Periodically, Jones also indulges in slow panning shots of modern-day Florence and Milan, presumably to anchor the film in its specific locales. Unfortunately, these often feel like travelogue interludes that get a little snoozy at times.

On the plus side of the ledger, Capaldi is perfectly cast as da Vinci. He has always been a reliably intelligent presence, but here he vividly projects both the polymath’s arrogance and his melancholy world-weariness. When watching him in “Inside,” it is easy to see why he was selected to be the next Doctor Who. Once he has finished his run as the Time Lord, he should be able to take a da Vinci show on the road, much like Hal Holbrook’s Mark Twain.

Eschewing jerkins, Capaldi’s modern dress actually heightens the film’s intimacy. (He rather looks like he might be in his Doctor Who wardrobe, complete with a stylish scarf, but not the full Tom Baker, mind you).

“Inside” works quite well when it really does go inside—either into da Vinci’s chambers or into the pages of his notebooks. When it goes outside, soaking up Tuscan landscapes and bustling Florentine street scenes, it waters down its atmosphere and character. Still, it is an interesting docu-hybrid and an unconventional (but sometimes effective) use of 3-D.

Recommended for art and history buffs, “Inside the Mind of Leonardo” screens Friday, Dec. 19, in New York at the Village East.


‘Inside the Mind of Leonardo’

Director: Julian Jones
Starring: Peter Capaldi
Running time: 1 hour, 25 minutes
Release date: Dec. 19
Not Rated

3 stars out of 5


Joe Bendel writes about independent film and lives in New York. To read his most recent articles, please visit

Joe Bendel
Joe Bendel writes about independent film and lives in New York. To read his most recent articles, visit