“I would hang my hat on this record seven days a week,” he told the outlet. “It’s just the most focused I’ve ever been.”
McCollum noted a number of songs on the record had already been written, beginning when he was just 15, but all it took was getting out of his comfort zone in a new environment for the album to flourish.
“I’m glowing when I’m there,” he said of the move to Manhattan.
“When I was in high school dreaming about being on a major label cutting records, you know, ‘It’s going to be in New York City and it’s gonna be ... like a movie. And, you know, I just decided to try and actually do that.”
McCollum recorded the album in a week at Power Station studio in the Hell’s Kitchen neighborhood, joining the likes of Bon Jovi, Madonna, Bruce Springsteen, Dave Matthews Band, and more.
There, he teamed up with producer Frank Liddell, who notably crafted other country works from singers Miranda Lambert and David Nail.
“It sounds absolutely ridiculous when you say it out loud,” McCollum added. ”That’s a crazy way to do it, but I think it worked.”
He gained recognition within the Texas music scene and later Nashville’s industry, and followed with chart-toppers “Pretty Heart,” “To Be Loved By You,” and “Handle On You.”
“It felt like, ‘Just what are you made of? What are these years? Is this to ride off into the sunset now, or is this to go make your best record?”







