Third Annual Chinese Martial Arts Competition Opens

With the aim of restoring a traditional martial arts creed, around 100 contestants participated in the North American preliminaries of the 3rd Annual International Chinese Traditional Martial Arts Competition.
Third Annual Chinese Martial Arts Competition Opens
Christine Lin
10/8/2011
Updated:
10/1/2015

<a><img src="https://www.theepochtimes.com/assets/uploads/2015/09/Li_PeiYun_from_NJ_multitime_gold_winner_in_Northern_fist_750.jpg" alt="Li PeiYun from New Jersey, multi-time gold winner in the Northern fist style. (Dai Bing/The Epoch Times)" title="Li PeiYun from New Jersey, multi-time gold winner in the Northern fist style. (Dai Bing/The Epoch Times)" width="590" class="size-medium wp-image-1796715"/></a>
Li PeiYun from New Jersey, multi-time gold winner in the Northern fist style. (Dai Bing/The Epoch Times)
Around 100 contestants participated in the North American preliminaries of the 3rd Annual International Chinese Traditional Martial Arts Competition. This year’s competition has attracted the most talent to date.

During the first day of competition at New York City’s Baruch College, each contestant greeted a panel of revered senior martial arts judges before performing his or her 2 to 3 minute piece. Contestants hailed from all over the world, from as far as Australia, Japan, and China.

Restoring a traditional martial arts creed is the goal of New Tang Dynasty TV’s competition. The contestants are judged on their honor and the authenticity of their style—which means no mixing of the different schools within Chinese martial arts, and no modern stuntswork.

Included in the competition are five divisions: fist category (male and female), weapons (male and female), and Southern style. In the long tumultuous course of Chinese history and popularization of wushu (martial arts) in the West, a lot of its roots have been lost. The competition’s goal is to recover these roots.

Head judge Youfu Li opened the day with a message to the contestants: “I hope you will all open your hearts and show the best of your talents. In the future of Chinese cultural renaissance, you will be remembered by history.”

Southern Fist

The Southern style began in the end of the Ming dynasty and beginning of the Qing dynasty. The style features a stable stance, flexible, rich hand forms, and powerful movements. Compared to the Northern style first forms, the range of movements is quite compact and attacks are focused on the opponent’s upper body and head.

Andrew Lengyel from San Francisco has studied at the Doc Fai Wong School for more than 15 years. He performed in the Choy Lee Fut style with a form called Leopard Fist. He also entered in the weapons category with double hooks, a unique Chinese weapon.

“This competition is much more traditional than others,” he said, adding that at many tournaments, different martial arts styles are lumped together into categories, “traditional” being one. “There would sometimes be two people in the traditional division,” he said.

Chinese martial arts stress the importance of morality and honor. “It’s all about bettering oneself, improving your skills, and understanding that martial arts are only to be used in self-defense,” Lengyel added.

Tammy Lee from Virginia Beach began her fist form with soft arm movements. She also participated in the weapons category with a piece titled “Plum Flower Spear.” Her school of practice is Jow Ga, meaning “Jow family,” which originates from Guangzhou province in the south of China. It combines Xingyi (animal-derived) movements with the basics of Southern wushu.

<a><img src="https://www.theepochtimes.com/assets/uploads/2015/09/CurlineDvorok-ChoyLeeFutSchool_750.jpg" alt="Curline Dvorok, practicing in the Choy Lee Fut School. (Dai Bing/The Epoch Times)" title="Curline Dvorok, practicing in the Choy Lee Fut School. (Dai Bing/The Epoch Times)" width="336" class="size-medium wp-image-1796717"/></a>
Curline Dvorok, practicing in the Choy Lee Fut School. (Dai Bing/The Epoch Times)
Over the course of 16 years, Lee has grown to learn more of the philosophy behind the movements, she said. “For example, why certain punches work, how to block and why.” Her teacher is none other than her father Hoy K. Lee, who learned his art as a kid in a village in Guangzhou.

“Jow Ga combines three systems in one and is one of the most popular schools,” Lee Sr. said. “It follows in the way of Wong Fei-Hung, one of a few famous stars [in Chinese martial arts].”

Michelle Seng of the Nam Pai Academy in Boston practices the Fut Ga “Buddha School” style, which she says is not widely known in the United States. It is an external art with some internal qualities.

“It is not as explosive-looking as some styles,” she said. “As my shi-fu [teacher] puts it, it’s a ‘gentleman’s art’ with precise and tight movements. Sometimes the movements are in the fingers; you would strike vital areas such as the eyes—more for distraction than to hurt someone.”

She has done this style for three years after having done karate. “Karate is more choppy and depends on strength. Kungfu depends on your core energy. I’m glad I switched,” she said.

Continued: Northern fist, Weapons Category, and more continuing contestants

<a><img src="https://www.theepochtimes.com/assets/uploads/2015/09/RongEnChen89yrsold-canada-FutGarSchool_750.jpg" alt="Rong EnChen, 89 years old, from Canada, practicing in the Fut Ga School. (Dai Bing/The Epoch Times)" title="Rong EnChen, 89 years old, from Canada, practicing in the Fut Ga School. (Dai Bing/The Epoch Times)" width="590" class="size-medium wp-image-1796719"/></a>
Rong EnChen, 89 years old, from Canada, practicing in the Fut Ga School. (Dai Bing/The Epoch Times)

Northern Fist

The Northern style features a low stance and a non-stop succession of movements that are sharp, swift, and recoiling. Long Fist, a popular style of Northern fist, extends the range of striking. Practitioners of Long Fist must keep their limbs straight in their movements and can hit with both their arms and legs.

Xingyi or pictographic styles in both Northern and Southern styles mimic the movements of preying and defensive animals such as tigers, cranes, snakes, mantises, monkeys, and eagles.

Weapons category

Chinese martial arts uses a variety of weapons, including straight sword, broad sword, spears, staffs, chains, whips, nunchuks, hooks, hoops, and hoes.

Sophia Chen of New York has been studying the Wudang style for two years under a teacher from Wudang Mountain, China. She entered the weapons category with “Xuan Men Sword,” regarded as the most coveted sword style in Chinese martial arts. The Wudang style is tied very closely to the Taoist school and the martial arts perpetuated by Zhang San Feng, the Ming dynasty Taoist who is the father of Taichi.

“I love the hidden power in it and how everything flows,” Chen said. “It’s all about perpetual movement.”

Chen feels that the competition is attempting to bring martial arts back toward its roots away from performance arts. “I like the disciple and cultural aspects of it,” she said.

“When I first started with Wudang I had practiced a variety of martial arts styles and my teacher kept telling me: ‘Stop posing! That’s not how you fight.’”

Judging Standards

The judges base fist contestants’ scores on a combination of movement quality, content, power, coordination, structure of the piece, layout, style, energy, and rhythm. For external fist forms and weapons categories, they look for body posture and coordination, clarity, strength and fluid motion, content and style, focus and rhythm. Long fist forms and weapons should also include traditional acrobatic techniques and flips.

Gold Award winners will receive a straight sword with a $5,000 prize; silver award winners will receive a broad sword and $3,000; and bronze award winners will receive $1,000.

The semi-final and final rounds will be held at Baruch College Sunday Oct. 9.

Christine Lin is an arts reporter for the Epoch Times. She can be found lurking in museum galleries and poking around in artists' studios when not at her desk writing.
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