Commentary
One of the most beautiful paintings in the Caspar David Friedrich show “The Soul of Nature,” on view at the Metropolitan Museum of Art through May 11, shows a roiling ocean crashing against a rocky coast by moonlight. The tiny figure of a monk stares out into the void, alone. The juxtaposition of terror and poetry brings to mind a line from the memoirs of François-René, vicomte de Chateaubriand, a contemporary of Friedrich’s and a fellow Romantic: