Viewpoints
Opinion

The Real-Life Macbeth and Why Shakespeare’s Version Is Different

The Real-Life Macbeth and Why Shakespeare’s Version Is Different
“The Banquet Scene in Shakespeare's ‘Macbeth,’” when Macbeth sees the ghost of the king he murdered. By Daniel Maclise. Oil on canvas. Guildhall Art Gallery, London. Public Domain
|Updated:
0:00
Commentary
The fourth act of William Shakespeare’s play “The Tragedie of Macbeth“ begins with the Scottish king, who has murdered his way to the throne, demanding that three witches conjure up spirits to tell of his future. The first warns Macbeth to beware of Macduff, the Thane of Fife. The second assures him that he need fear no man born of woman. The third gives him what seems an equally reassuring prophecy:
Gerry Bowler
Gerry Bowler
Author
Gerry Bowler is a Canadian historian and a senior fellow of the Frontier Centre for Public Policy.