BEIJING—Bai Budan took a morning stroll on Tiananmen Square to find inspiration for a new series of satirical cartoons, an art form only barely alive in China.
He wondered about the sheer number of surveillance cameras installed on the square, opposite the iconic entrance to the Forbidden City with a huge portrait of Mao Zedong.
“These cameras are for whose safety? Are they for the safety of the ordinary people?” he asked.
He remembered the popular children’s song “I love Beijing Tiananmen” that he sang when he was young. He sketched the Mao portrait and made a note about updating the lyrics.
Back in his studio, he quickly drew two pink cupids pointing to three security cameras, with the Forbidden City as a background. The caption read: “I love the security cameras of Beijing Tiananmen.”
When he feels the work is finished, where will he show it? Who in China will see it? Those questions are fraught with risks.
Cartoons used as political satire have been rare in China since the 1949 Communist Revolution, though some began gaining notice about three years ago. In particular, single-panel cartoons from an artist known as Rebel Pepper were widely circulated on social media.
In December 2013, Chinese President Xi Jinping made headlines for stopping to have a simple lunch of steamed buns in a small Beijing restaurant, in an event staged to portray China’s most powerful man as one of the people. Rebel Pepper’s rendition showed Xi as steamed bun surrounded by other breakfast foods kowtowing to him as though he were an old-time emperor. Another cartoon, in October 2014, shows Xi Jinping in bed with a nationalistic blogger named Zhou Xiaoping; Xi had praised Zhou, though the young man had drawn attention for writing exaggerated negative claims about the U.S.
