This is New York: Khalil Muhammad, Keeper of Black History

Muhammad attributes a large part of his success to the events and literature he was exposed to as a child.
This is New York: Khalil Muhammad, Keeper of Black History
Dr. Khalil Gibran Muhammad, director of the Schomburg Center For Research in Black Culture at the center in Harlem, New York on Oct 24. Amal Chen/The Epoch Times
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<a href="https://www.theepochtimes.com/assets/uploads/2015/07/20121024-Muhammad-IMG_0679-Amal+Chen.jpg"><img class="size-large wp-image-308945" src="https://www.theepochtimes.com/assets/uploads/2015/07/20121024-Muhammad-IMG_0679-Amal+Chen-676x450.jpg" alt=" Dr. Khalil Gibran Muhammad, director of the Schomburg Center For Research in Black Culture in his office in Harlem, New York, on Oct 24. (Amal Chen/The Epoch Times)" width="590" height="392"/></a>
 Dr. Khalil Gibran Muhammad, director of the Schomburg Center For Research in Black Culture in his office in Harlem, New York, on Oct 24. (Amal Chen/The Epoch Times)

NEW YORK—Peering at gushing lava from a helicopter high over Mount Kilauea, Khalil Muhammad, at age 15, stuck his hand out to snap a photo.

The volcanic eruption was an unexpected change in Muhammad’s itinerary, on his family vacation in Hawaii, 1987. But that’s what holidays were like for the son of Pulitzer Prize-winning photojournalist, Ozier Muhammad.

Muhammad learned much more from his father than how to photograph extraordinary views. He attributes a large part of his success to the events and literature he was exposed to as a child.

His father raised him in an environment surrounded by books. From a young age, Muhammad was influenced by authors such as Graham Greene, a moral–political activist; Alan Paton, an anti-apartheid activist; and Eugene Genovese, one of the first historians who looked at slavery from the perspectives of the enslaved.

His father won a Pulitzer Prize for his photos of the Ethiopian famine in 1985.

Ozier Muhammad captured the images of haggard children, lines of women waiting for food at a dislocation camp, and a man pleading to get help for his dying wife as their child sat quietly in the background.