Film Review: ‘Black Sea,’ an Updated Pirate’s Tale of Sorts

It should have been a routine, but highly profitable salvage job.
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It should have been a routine, but highly profitable salvage job. Thanks to Russian military adventurism in Georgia and Crimea, Ukraine, the whole rights and permissions thing is now considerably trickier. As a result, a disgruntled submarine captain will lead an off-the-books mission in Kevin Macdonald’s “Black Sea.”

Capt. Robinson has just been down-sized (or as the city of Detroit says, “right-sized”) by his buttoned-down corporate marine salvage firm. Finding little work for a disgruntled submarine skipper, Robinson is up for a caper and one of his former colleagues has one.

It turns out, while the Molotov-Ribbentrop Pact was still observed by both sides, Stalin agreed to loan Hitler millions in gold (as one socialist to another). However, the German U-boat carrying it home was sunk and Germany invaded Russia shortly thereafter. For decades, it lay forgotten at the bottom of the Black Sea. Eventually, the company struck a deal with the Georgian government to salvage it, but the operation was put on hold when the Russians starting paddling around like they owned the place.

Acquiring an old Russian sub resembling a barnacle with a periscope, Robinson's team heads out to sea, but tensions quickly rise.
Joe Bendel
Joe Bendel
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Joe Bendel writes about independent film and lives in New York City. To read his most recent articles, visit JBSpins.blogspot.com
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