Army Officer-Chanteuse Seeks to Seduce Taiwan

Song Zuying is an attractive major general of China’s People’s Liberation Army (PLA) and a popular soprano soloist. Her performance in Taipei was an act in a larger drama, as the Chinese regime seeks to consummate its strategy of absorbing Taiwan.
Army Officer-Chanteuse Seeks to Seduce Taiwan
An NTD Television report showing Song's Zuying's performance in Taiwan. (NTD Television)
5/20/2011
Updated:
10/1/2015

<a><img src="https://www.theepochtimes.com/assets/uploads/2015/09/soongredcarpettaiwan.jpg" alt="An NTD Television report showing Song's Zuying's performance in Taiwan. (NTD Television)" title="An NTD Television report showing Song's Zuying's performance in Taiwan. (NTD Television)" width="320" class="size-medium wp-image-1803784"/></a>
An NTD Television report showing Song's Zuying's performance in Taiwan. (NTD Television)
The red carpet was rolled out recently in Taipei for Song Zuying, an attractive major general of the People’s Liberation Army (PLA) and a soprano soloist popular in China. Her performance was not mere entertainment, but one act in a larger drama, as the Chinese regime seeks to consummate its strategy of absorbing Taiwan.

Her debut in Taiwan showcased communist-themed selections. While the program was a lavishly pricey production co-sponsored by Chinese companies, admission was free.

Song is purported to be the mistress of former Chinese Communist Party (CCP) leader Jiang Zemin. She has been given the unofficial title “Mother of Communist China.”

The program included 22 songs praising the Communist Party, its culture and exploits, with a few torch songs thrown in. The selections depicting the CCP subduing and defeating the Kuomintang (the Nationalist Party) were given center stage.

Not resorting to sleight of hand, only heavy-handedness, Song’s singing the crimson-tinged songs was staged to humiliate and taunt the Taiwanese.

The medleys were chosen with strategic precision. The first song, “A Hundred Birds Serenade or Hail the Phoenix” represented the Kuomintang officials attending the concert to support the CCP.

The third song “Good Days,” with its lyrics, “Today and tomorrow are all good days, as we are so lucky to live in prosperity,” reflected sentimentality for Jiang Zemin’s rule, bragging that mainland China is prosperous and strong under communist rule, which also extends peace to Taiwan.

The fourth song “Ode to Coral” ends with “Welcome the Savior to the Island,” with its singular message that the PLA will land in Taiwan, and the Taiwanese are bound to welcome them with open arms.

2012 General Election

Not only intended to humiliate Taiwan, Song’s recital was of course a united front tactic—an attempt to advance the agenda of the CCP through apparently independent organizations—taken against the country. The CCP has taken measures focused on controlling Taiwan’s general election in 2012 and conquering Taiwan, without resorting to war.

Song not only attempted to win over the people of Taiwan with her artistic performance and stage presence, she also shamelessly played her role as agent provocateur. Ever since China and Taiwan entered the Economic Cooperation Framework Agreement (ECFA) in June 2010, the CCP has been using cultural initiatives to try to strengthen economic and trade exchange, and believes that now is the time to reap the political harvest.

One of the main reasons the CCP carried out its surprise arrest of artist dissident Ai Weiwei was the fear that he might affect Taiwan’s unification with China. Ai had planned to attend an art event in Taiwan in early April, but the CCP feared that Ai’s influence would interfere with Song’s visit to Taiwan.

There are indisputable signs that the CCP has sped up its political unification with Taiwan: one being that its high officials no longer avoid openly interfering with Taiwan’s general election.

“To maintain the stable development of cross-strait relations, the Taiwanese must elect the ‘right candidate’ in the next two important elections.” Jia Qinglin, chairman of the National Committee of the Chinese People’s Political Consultative Conference, made this statement in the recent Seventh Cross Straits Economic Trade and Cultural Forum, emphasizing that not electing the preferred candidate of the CCP is “creating instability,” thus affording an excuse for the CCP to send troops to Taiwan. His statement at the same time rallied some people from Taiwan to vote for pro-CCP candidates.

In a meeting of the Chinese regime’s Political Bureau in June 2008, Vice Premier Li Keqiang said that the economic expenditure on Taiwan was worthwhile and will receive political returns. In other words, all the benefits Taiwan has received from the ECFA today will be paid back, through political reunification in the future.

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Freedom of the Press

Another obvious sign is that the CCP has been systematically suppressing freedom of the press in Taiwan. The global press freedom-rating evaluation published by the U.S.-based nonprofit organization Freedom House has shown that Taiwan’s rank over the past three years has continued to plummet and has now reached a record low.


The CCP is fully aware that press freedom interferes with its united front conspiracy and exposes its deplorable human rights record. New Tang Dynasty Asia Pacific (NTD AP) Television is nearly the only TV station in Taiwan that dares to expose the CCP, and is therefore considered a thorn in its side.

NTD AP suffered a serious disruption of service for an extended period of time, beginning in October 2009. But the satellite carrier, Chunghwa Telecom, and the government of Taiwan (that owns 35 percent of the company’s stock and holds a majority on the company’s board) failed to identify the source of the interruption, which was strange.

In a move that has drawn international attention, Chunghwa Telecom again informed NTD AP in April that it will terminate its contract with the company in August.

Opening the Door

Song’s recital in Taiwan was also timed to pave the way for the PLA to converge on Taiwan. PLA personnel have been prohibited from visiting Taiwan. Before Song’s appearance, Chen Sisi from the Second Artillery Performance Troupe had broken the rule that did not permit PLA active duty military personnel to visit Taiwan. Chen’s rank by comparison was low.

The timing of Song’s Taiwan debut and her rank of major general are significant. Since the exception to the rule has now been made, high military officials of the CCP can make up excuses to enter Taiwan in the future, thereby creating a false impression of peaceful cross-straits military interaction.

This is a form of psychological warfare that the CCP is utilizing against Taiwan, in addition to espionage and the threat of unrestricted warfare. It is clearly an important strategic component, with a cultural edge, to add to the arsenal of the CCP’s united front strategies.

Just like the ECFA, Song’s serenading Taiwanese with red songs is a move to subdue Taiwan without a war—an alluring woman appearing before the big guns arrive. If the government of Taiwan and its people are not on the alert to resist such ploys, the CCP could readily take over Taiwan, while being greeted with flowers and embraces.

Such a thing could transpire without the firing of a single bullet.

But then, of course, there’s also a significant possibility that the CCP will collapse and meet its demise before such drama plays out.

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