SHEN YUN PERFORMING ARTS REVIEWS

Shen Yun Shows ‘Hope for a Better World’: Princess of Luxembourg

Apr 13, 2024
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REIMS, France—Princess Anne De Ligne of Luxembourg was inspired by Shen Yun Performing Arts, describing it as a performance of depth and beauty.

“I found it extraordinary,” she said. “ I think that for everyone it’s good, a lot of depth, the words they tell us are also very profound.”

She saw the New York-based company at the Reims Arena on April 2 with her husband Charles de Fabribeckers, a retired fighter pilot. Shen Yun is the world’s premier classical Chinese dance company, with a mission to revive 5,000 years of Chinese civilization through music and dance.
Ms. De Ligne said as someone sensitive to music and who places spirituality in an important place in her life, Shen Yun was everything she could have wanted in a performance.

“The choreography, the dancers, the colors, and then the spirituality that’s in there is what’s very important to me,” she said. Her feeling when the curtains first rose was “finally!”

“Right from the start, when everyone arrives on Earth on a mission, and at the end, when we see a new world arriving full of light,” she said, describing how Shen Yun’s performance truly spans 5,000 years. It begins with the ancient Chinese legend of the Creator coming to impart human civilization on Earth, and signals a return to goodness at the end in modern times.

Ms. De Ligne said she strongly believes “there really is something more, a much higher, spiritual dimension,” and Shen Yun brings that out.

“And that for us resonates, or should resonate, I hope, for everyone,” she said.
“I felt it very strongly, and at times there was a lot of emotion too, because I think everything came together: the colors, the light, the music, the magnificent scenography, the constant link with the beyond with what comes from elsewhere for us and vice versa, I found that extraordinary.”
She said her takeaway from the performance was hope.

“The hope for a better world, but a better world in each of us first of all, right? That’s a little bit of it, and then in the belief that there are other things out there,” she said. She felt this message beautifully articulated by two tenors who sang original songs in the authentic bel canto style. “It was very beautiful, the depth of it all.”

“There was emotion, happiness, and, I repeat, hope,” she said. “In today’s world, there are some magnificent things, and you’ve shown that here. Despite the things that aren’t magnificent at all, it’s magnificent. And it inspires a better world, a new world.”

‘It’s Magic’

Mr. de Fabribeckers said there was much to admire in Shen Yun.

“Magnificent. It’s superb, beautiful, poetic, magnificent, it’s magic,” he said. “We of course admire the flexibility, the ingenuity, it’s great art, it’s superb, magnificent, really.”

He added that it was unfortunate that Chinese people do not live freely at this time, and commended Shen Yun for raising this awareness. He said Shen Yun was doing “a courageous job ... which we admire and want to support.”

He said he saw in the audience an enthusiastic public, and believed Shen Yun created “feelings of interest, warmth and desire, to see the Chinese people live differently than they do today under political constraints.”

“It’s a hope that I think a lot of people are taking part in because you’re bringing them to life,” he wanted to tell the artists.

The name “Shen Yun” translates as “the beauty of divine beings dancing,” and Mr. de Fabribeckers said that was so.

“It’s so beautifully evoked that we find ourselves a little transported by what [the artists] are doing,” he said.

The spirituality Shen Yun shared was uplifting, and it was a universal one, he thought.

“I don’t think everyone has the same vision of the divine, but the one you present can be shared by everyone,” he said. “It’s delicate, it has an eternal character, a majestic character of course, and it’s fundamentally what we dream of experiencing, that’s the divine.”

The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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