SHEN YUN PERFORMING ARTS REVIEWS

Shen Yun’s ‘Orchestra Was Second to None; It Was Fantastic,’ Says Telecom Company Owner

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Shen Yun’s ‘Orchestra Was Second to None; It Was Fantastic,’ Says Telecom Company Owner
Chris and Betty Crowe with their two children attended Shen Yun's evening performance at the AT&T Performing Arts Center on Jan. 6, 2024. Sherry Dong/The Epoch Times

DALLAS—Telecom company owner Chris Crowe and his wife Betty attended Shen Yun’s penultimate performance at the AT&T Performing Arts Center on Jan. 6.

The performance was a much-anticipated event for the family, and they were not disappointed.

“It was really spectacular. I’ve been wanting to see this show for 10 years. I see the poster in a restaurant that we go to every year. This is the year that we came, and I’m so excited to be here,” Mrs. Crowe said happily.

“I did not research or watch YouTube videos before coming because I wanted to be surprised. The show had everything. The classical dancing was absolutely beautiful.”

She especially enjoyed the piece where the dancers used their long sleeves as props. “It was just spectacular. Unexpected and spectacular,” she said.

Known as the “water sleeves,” they billowed and flowed like the gentle movement of water on stage. According Shen Yun’s website, they were originally a part of ancient Chinese feminine attire representing humility and grace.

Based in New York, Shen Yun is the world’s premier classical Chinese dance and music company.
Its artists are seeking to revive the glory of China’s 5,000 years of history and share through a series of short dance pieces—all that was good and beautiful in China before communism.

“[This performance] is something I’ve never seen before. I’ve traveled and seen lots of things around the world. I’ve never seen anything like this,” Mrs. Crowe stated. “It was so moving to me that I wanted to cry—the sight, the sound, all of it.”

Mr. Crowe, too, enjoyed the performance. “For me, it [was about] the history of China, which is the longest cultural history that we have in the world,” he said. “Seeing its evolution over time, it’s just very interesting. A rich culture.”
Mr. Crowe added that Shen Yun “gives positive energy,” and he absolutely loved the live orchestra.

“It captured me. I was just so focused during those sessions,” he expressed. “The whole thing was great, and I thought the orchestra was second to none. It was fantastic.”

Using classical Western orchestration as the foundation, Shen Yun’s original compositions highlight traditional Chinese instruments such as the two-stringed erhu and the pipa—an ancient Chinese lute. Bringing to its audience the best of both worlds.

“The balance of the instruments was so well done. It was flawless to me,” he expressed. “The sound was so rich even though [the orchestra] was small. It’s just a perfect blend of instruments—very well done, very crisp, very precise, very rich.”

Referring to the spiritual element of the show, Mr. Crowe said he liked the concept that humans are all divine, waiting to be returned to the heavens by the Creator.

Mrs. Crow agreed and said that she had studied Reiki and knew that “a lot of creativity came from areas of divine.” She liked that Shen Yun’s performance echoed that idea.

“It was very captivating, and I was very pleasantly surprised that a whole show would be dedicated to the thought of where we all came from and where we’re headed too. It’s very interesting.”

Reporting by Sherry Dong and Jennifer Tseng.
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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