Playwrights Horizons

Max Posner’s take on a mother-son relationship in “The Treasurer” is rife with subtext, adding dimension and color to every encounter.

Food equals love in the Playwrights Horizons’s production of Julia Cho’s remarkable play, “Aubergine.”

“A Life” offers a very touching portrayal of a life lived and not lived, and is a stark reminder of how fleeting it all can be.

Does playwright Anne Washburn in her “Antlia Penumatica” link our fate to the galaxies? Nothing so straightforward.

With “Marjorie Prime” we find ourselves in the age of technology and artificial intelligence. People may even become computers.

The world premiere production of “Pocatello” offers a fine example of ensemble playing.

Grand Concourse is a welcome addition to the roster of new plays presented by Playwrights Horizons.

Playwright Anne Washburn presents rather than explores the idea that storytelling may be exactly what helps us survive reality in her “Mr. Burns, A Post-Electric Play.”

Max Posner’s take on a mother-son relationship in “The Treasurer” is rife with subtext, adding dimension and color to every encounter.

Food equals love in the Playwrights Horizons’s production of Julia Cho’s remarkable play, “Aubergine.”

“A Life” offers a very touching portrayal of a life lived and not lived, and is a stark reminder of how fleeting it all can be.

Does playwright Anne Washburn in her “Antlia Penumatica” link our fate to the galaxies? Nothing so straightforward.

With “Marjorie Prime” we find ourselves in the age of technology and artificial intelligence. People may even become computers.

The world premiere production of “Pocatello” offers a fine example of ensemble playing.

Grand Concourse is a welcome addition to the roster of new plays presented by Playwrights Horizons.

Playwright Anne Washburn presents rather than explores the idea that storytelling may be exactly what helps us survive reality in her “Mr. Burns, A Post-Electric Play.”